- #Amazon podcast maker wondery serial
- #Amazon podcast maker wondery series
- #Amazon podcast maker wondery tv
Podcasters should take advantage of the intimacy of the audio experience, too. “So it’s just like a smaller mental leap, which always helps.”
#Amazon podcast maker wondery tv
When you build anticipation-that’s such a hallmark of good storytelling.”Īn immersive, compelling podcast makes it “easier for to imagine the translation into a film or TV show, because, you know, you’ve got scenes, you’ve got dialogue, you really get a strong sense of these characters from hearing their voices,” says Horowitz. “It was really, really well told, it was compelling, it felt like every week, people were binging, it was a story that had you on the edge of your seat.
#Amazon podcast maker wondery serial
“ Serial felt like the beginning of something-and they did not invent true crime,” says Eisenberg. To make podcasts “digestible,” how you tell the story is critical.
“They’re looking for fresh ways of hearing the stories and I think what’s helpful with the podcast is it’s a very digestible medium,” says Eisenberg, who knows a thing or two about what producers are looking for, since he wrote for and produced The Office and created Little America for Apple TV+. Producers’ ears are piqued by stories that have potential, but they need to be able to hear that potential, which is where good storytelling comes in. “They’re looking for fresh ways of hearing the stories and I think what’s helpful with the podcast is it’s a very digestible medium.”-Eisenberg “We look for stories that are just attention-grabbing, that are going to make you sit up and really pay attention and feel like ‘This is a story that I’ve never heard before that I can’t put down no matter what genre it is,’” he says. I really believe that.”Īccording to Lewy, the most important thing that a podcaster can do is “choose stories that are as unique as possible and develop them as a podcast in a way that has compelling characters.”įor Wondery, that means poring over the news and looking for just the right next big idea to turn into a show. “There’s so much appetite right now for big podcasts. “If you make a good podcast, it’s going to rise up,” he says. While Wondery has a proven television track record, for Lewy, it’s really the podcast that matters most. And then, you know, bring it to television.” Homecoming at the podcast end of the pipeline Homecoming at the TV end of the pipeline “We want to make the best podcasts possible that are as successful as possible as podcasts. “I think that there’s a misconception that we create our shows so that they will sell to TV, and that is really not the case,” says Lewy. We were really committed to the audio form.” While Horowitz admits that his piece of advice can be “mildly infuriating” to podcasters who want in on the TV action, even Wondery, which has seen a lot of success turning their podcasts into TV, first focuses their efforts on making great podcasts. “We had no intention of making a television show. “If you’re trying to make a podcast that will be adapted to a TV show, you probably won’t make a very good podcast,” says Horowitz. And then, you know, bring it to television.”-LewyĪll the pros agreed that, first and foremost, you have to focus on making a great podcast.
#Amazon podcast maker wondery series
As Gore Vidal once noted, “Television is now so desperately hungry for material that they’re scraping the top of the barrel.” WeCrashed podcast artīut how do podcasters who aren’t hooked up with Wondery or have an in at Apple TV+ get started bringing a podcast to a new medium? To find out the twists and turns of the podcast-to-TV pipeline, we spoke to Eisenberg, and three other experts: Wondery Chief Content Officer Marshall Lewy the Homecoming creator Eli Horowitz, who helped shepherd it from Gimlet to Amazon Aaron Mahnke, whose podcast Lore became a series on Amazon.
This article could be nothing but a long, long list of shows that have gone from podcast to TV.
There’s basketball ref scandal Whistleblower, Australian crime series The Teacher’s Pet, crime drama Over My Dead Body, beloved paranormal series Welcome to Night Vale, investigative series To Live and Die In LA, sci-fi drama Girl In Space, school drama Nice White Parents, serial killer thriller Happy Face, and so many more. The evidence of that is in the steady stream of podcasts becoming television shows. “People are always looking for IP, people are always looking for good stories,” says Lee Eisenberg, a longtime TV producer, who is turning WeCrashed into a series at Apple TV+.
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